Collection Encounters: Moonscapes
Collection Encounters: Moonscapes by Abdullah M.I. Syed features a commissioned artist response to materials held in UNSW Library Special Collections.
Itinerary:
30 July 2026 - February 2027, Main Library, Level 3
February 2027 - August 2027, Law Library
August 2027 - February 2028, Art & Design Paddington Library
Artist:
Abdullah M.I. Syed
The Moon binds us all, transcending time and disciplines. Through Collection Encounters: Moonscapes, I explored rare books on astronomy and cosmology, including Simone Assemani’s Globus Caelestis Cufico-Arabicus Veliterni Musei (1790) from UNSW Library’s Special Collections, linking lunar scholarship with science, mysticism, philosophy, law, finance, and the politics of colonisation. By integrating my fascination with the Moon across Islamic, South Asian (Vedas), and Western traditions, I reveal it as a scientific body, financial symbol, spiritual guide, and artistic muse.
I discovered that while Western scholars are often credited with lunar scholarship, Islamic polymaths like al-Bīrūnī, Ibn Sīnā, al-Bāttanī, and al-Sufi made groundbreaking contributions to mapping the heavens. Their work has a substantial influence on Greek and Western scholarship and aligns with the Vedas, emphasising the Moon’s significance in South Asian and Islamic cultures.
My interest stems from childhood memories in Pakistan, where the Moon symbolised maternal bonds. My ancestral collection includes texts on Vedic medicine, astronomy, and astrology, which interweave cosmic energies, star charts, and numerical matrices to encode divine attributes. While astronomy is respected in Islam, divination is taboo; however, such knowledge persists in esoteric traditions, influencing my exploration of cosmic knowledge as the Divine Nūr (light). Using the Moon as my muse, I translate these narratives into visual art forms using the circle (unity) and the dot (conscious awareness).
In Moonscapes, I decode the Moon through objects of memory and domesticity, including silver coins, palm date stalks, bread, and personal memorabilia. Preserved as a celestial Cabinet of Curiosities, these items create a poetic, visual archive of the Moon and its cosmic influence. By blending academic and cultural analysis with personal mythologies, I invite viewers to engage with Moonscapes as ‘moving museums,’ fostering connections to the Moon, our shared eternal witness.
Commissioned by UNSW Library, Collection Encounters transforms the Library’s Special Collections into a source of active, creative inspiration. By inviting artists to engage with the collection, the program highlights its interdisciplinary relevance and offers new narratives and modern interpretations, demonstrating its continued cultural and scholarly value in the digital age.
Collection Encounters: Moonscapes is part of a broader program expanding on the themes in The Infinite Look: A History of Gazing Skyward (Level 5 Main Library) through a series of satellite displays across our library spaces. This program also includes Welcome to the Frontier: From Science Fiction to Hyperstition (Law Library) and The Lunar Gaze (Art & Design Paddington Library).
Top image: Abdullah M.I. Syed, Moonscape II: Ledger of Silver Dust, 2026 (detail). Courtesy the Artist and Gallery Sally Dan-Cuthbert, Sydney.
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Abdullah M.I. Syed's interdisciplinary practice includes drawing, sculpture, installation, video, performance, textiles and text. Themes of maternal humanism, nature and mysticism, homeland and language, and power structures, particularly capitalism and masculinity, are central to Syed’s research and studio practice, highlighting marginalised and diasporic identities and shaping their sense of self amid histories of displacement and exclusion. Syed views his art as an archival form of poetic activism based on shared vulnerability, empathy, and memory. Storytelling weaves narratives of east and west, connecting cultural and art historical references.
In a career spanning more than 25 years, Syed has exhibited and performed nationally and internationally: Art Gallery of New South Wales, Sydney; TIFF Bell Lightbox, Toronto, Canada; Asian Society Museum, New York, USA; Pataka Art + Museum, Porirua City, New Zealand; Devi Art Foundation, Gurgaon, New Delhi, India; the National Art Gallery, Islamabad, Pakistan; and the Mohatta Palace Museum, Karachi, Pakistan; among other venues. Syed is a recipient of the NAVA Carstairs Prize (2017), Blacktown City Drawing Prize (2010), and IAO Installation Artist award (2003), Oklahoma, USA.
Syed holds a PhD and MFA from UNSW Sydney. His artwork is held in multiple collections, including AGNSW, Devi Art Foundation, UNSW Art Collection, and several major government and diplomatic collections, including the Australian Parliament Collection, Canberra.
Syed is represented by Gallery Sally Dan Cuthbert, Sydney.
Accessibility: UNSW Main Library is wheelchair accessible and the display includes large-text labels. Displays and explanatory texts can be seen and read from a seated position.
UNSW Law Library is wheelchair accessible and there is step-free access to the exhibition space. Displays can be seen and read from a seated position.
UNSW Art & Design Paddington Library is wheelchair accessible and there is step-free access to the exhibition space. Displays and explanatory texts can be seen and read from a seated position and the exhibition includes large-text artwork labels.
Further reading
Special Collections materials
Simone Assemani, Globus caelestis Cufico-Arabicus (1790)
Vincenzo Coronelli, Libro dei globi (1693, reprinted 1969)
James Nasmyth and James Carpenter, The moon: considered as a planet, a world, and a satellite (1874)
Richard A. Proctor, Easy star lessons (1881)
Joseph Harris, The description and use of the globes and the orrery (1740)
Related materials
Abdullah M.I. Syed artist website
Alumni Mural Program: Abdullah M.I. Syed, Chahār Bāgh: Garden of Knowledge (2023)
Seyyed Hossein Nasr, An introduction to Islamic cosmological doctrines (1978)
Subhash Kak, Birth and Early Development of Indian Astronomy (2001)